I reworked the background on the right side of the pitcher.
I learned that gray in pastel needs to be a mixture of colors, not black with a lot of white in it. If you look at the previous blog, and compare it to this one, you might see the difference.
The area is under the spout and to the right.
I want to do something else and work with the grays.
My final painting for the workshop was this little sprig of grapes. I spent about 30 minutes working with different objects to get a composition I liked.
It was good to know that others have to take a long time to get set-up too.
If I don't feel inspired by the set-up, the fun goes out of the painting process. And that is what I have found to be the point of painting...not the product, but the experience of painting.
This painting was a four color challenge with three colors close on the color wheel, blue, turquoise, and purple, with the compliment, orange.
It turned out better that I thought it would. I was very leery of the background blue being so intense, but then I watched Carol go even more saturated with her demo. Very exciting.
I like the apples best in this one. I could have a better color choice for the background to make the little orange bars on the butterfly stand out more: bet you didn't even see them.
This is one of my favorite butterflies because of the rich brown of it's wings and the blue dots. I like the apple slices and the rhythm of shadows across the canvas. I wanted to go in and change the shapes of the wings some, but decided to stop and not over work the painting, which is my biggest challenge.
I am a pastel painter living in Austin, Tx. I graduated from UT with a Fine Art's Degree, majoring in studio art in 1974. I have studied with Bob Rohm, Richard McKinley, Desmond O'Hagan, and Steve Napper.
I've been a member of Austin Visual Arts Assoc., Austin Pastel Society, Portrait Society of America, Pastel Society of America, and International Association of Pastel Societies.
I've taught at the Art School of Austin Museum of Art
Art is a learnable, teachable skill. Most of art making is just doing it, work, and only a tiny part is talent. What a relief for someone like me who never had the courage to really give myself to my process of making art, fearing I didn't have the talent I saw in others. Then I decided to just do it anyway, no matter the outcome. And the biggest success has been that I have not quit. To stop making art is the only failure.